Known for her ethereal, doll-like features, Cole provided a surreal, artistic contrast to the raw setting.
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Unlike the stylized, highly produced Pirelli Calendars of previous years, the 2010 edition took a raw, naturalistic, and joyful approach. Terry Richardson chose to strip away artifice, using only natural light and minimal props. The result is a vibrant, earthy, and intimate portrayal of women in their natural state—laughing, playing, swimming, and dancing. Known for her ethereal, doll-like features, Cole provided
The 2010 edition arrived at a pivotal cultural moment. It was one of the last calendars produced before Pirelli significantly shifted its editorial direction. By the mid-2010s, "The Cal" moved away from traditional glamour and nudity, transitioning toward celebrating female empowerment, diversity, and achievement across various industries (as seen in Annie Leibovitz’s 2016 calendar and Peter Lindbergh’s 2017 edition). If you share with third parties, their policies apply