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Films Restored — By The Film Foundation

Alfred Hitchcock’s psychological thriller underwent a massive restoration effort to repair damaged negatives and recreate its legendary, disorienting color palette.

Starring Lillian Gish, this silent horror set in the Texas desert was famous for its ending, which the studio forcibly changed. The original ending existed only in a truncated, damaged print from the MGM vault. The Film Foundation restored the film to its original director’s cut, meticulously repairing nitrate decomposition that had turned the swirling sand storms into a blur of bacterial growth. Today, the restored version allows viewers to feel the psychological terror of the wind as Sjöström intended. films restored by the film foundation

Many of Hollywood’s most celebrated masterpieces would be unwatchable today without the intervention of archival restoration. The Film Foundation has consistently targeted foundational American films to ensure future generations can experience them as they were meant to be seen. The Red Shoes (1948) The Film Foundation restored the film to its

For decades, Michael Powell and Emeric Pressburger’s ballet masterpiece was viewed through a murky, brown lens. The original three-strip Technicolor negatives had shrunk and split. In 2008, The Film Foundation, working with the UCLA Archive and the Academy Film Archive, spent two years hand-aligning the color records. The result was a revelation: the red of the ballet shoes literally jumps off the screen. Martin Scorsese has cited this restoration as the most emotionally moving of his career, noting that seeing the restored 15-minute ballet sequence is "like seeing a ghost become flesh." The Film Foundation

Alfred Hitchcock’s psychological thriller underwent a massive restoration effort to repair damaged negatives and recreate its legendary, disorienting color palette.

Starring Lillian Gish, this silent horror set in the Texas desert was famous for its ending, which the studio forcibly changed. The original ending existed only in a truncated, damaged print from the MGM vault. The Film Foundation restored the film to its original director’s cut, meticulously repairing nitrate decomposition that had turned the swirling sand storms into a blur of bacterial growth. Today, the restored version allows viewers to feel the psychological terror of the wind as Sjöström intended.

Many of Hollywood’s most celebrated masterpieces would be unwatchable today without the intervention of archival restoration. The Film Foundation has consistently targeted foundational American films to ensure future generations can experience them as they were meant to be seen. The Red Shoes (1948)

For decades, Michael Powell and Emeric Pressburger’s ballet masterpiece was viewed through a murky, brown lens. The original three-strip Technicolor negatives had shrunk and split. In 2008, The Film Foundation, working with the UCLA Archive and the Academy Film Archive, spent two years hand-aligning the color records. The result was a revelation: the red of the ballet shoes literally jumps off the screen. Martin Scorsese has cited this restoration as the most emotionally moving of his career, noting that seeing the restored 15-minute ballet sequence is "like seeing a ghost become flesh."