The project, envisioned by Ilya Khrzhanovskiy , is one of the most audacious, controversial, and massive cinematic experiments in history. It began as a biopic about Soviet physicist Lev Landau but evolved into a massive, multi-year immersive experience where hundreds of participants lived, worked, and interacted in a meticulously reconstructed Soviet "Institute" in Kharkiv, Ukraine, between 2008 and 2011. Among the many films stemming from this project, DAU. Katya Tanya (2020), co-directed by Jekaterina Oertel and Ilya Khrzhanovskiy , stands out as a unique exploration of female subjectivity, lesbian relationships, and queer narrative within a simulated Soviet environment. A Different Lens on the DAU Project
This paper has explored the portrayal of DAU in the context of the Russian film and TV series "DAU," focusing on the characters of Katya and Tanya. The analysis highlights the significance of DAU metrics in shaping online interactions and identity formation. As social media continues to play an increasingly prominent role in our lives, it is essential to critically examine the ways in which DAU and other metrics influence our experiences and relationships. DAU. Katya Tanya
Streaming on the DAU digital platform. Viewer discretion is strongly advised, not for nudity or sex, but for psychological cruelty. The project, envisioned by Ilya Khrzhanovskiy , is