When Tyler Perry’s Acrimony hit theaters in 2018, it was met with a specific kind of cultural whiplash. The audience score was high, but the critical reviews were brutal (a fitting 20% on Rotten Tomatoes). The discourse surrounding the film was immediate and damning: It’s too loud. Melinda is too crazy. The third act is ridiculous.
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Acrimony is far better than its initial reviews suggested because it refuses to give the audience an easy moral escape hatch. There are no clean heroes or villains. Robert is flawed and selfishly myopic; Melinda is deeply traumatized and ultimately monstrous in her vengeance. When Tyler Perry’s Acrimony hit theaters in 2018,