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For years, da Silva made cinema without tying it explicitly to his identity. However, as he told the queer magazine Dezanove , there came a point where he decided to make an artistic shift. "I decided to make my artistic coming out and sign this new work as António da Silva to talk about personal experiences," he explained. This moment of artistic self-liberation coincided with his decision to focus his lens on the daily lives, private desires, and sexual geographies of gay men.
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While names in local folklore sometimes shift across generations, the core of this group comprised standout schoolboy prodigies who excelled as all-rounders, gritty batsmen, and relentless spin bowlers. They epitomised the classic "Mumbai school of batsmanship"—characterized by a heavy bottom hand, impeccable footwork against spin, and an unyielding prize on one's wicket. The "Free" Element of the Era For years, da Silva made cinema without tying